Luis Vargas – Cinema Makeup School https://backup.cms.shavami.com Cinema Makeup School in Hollywood Wed, 05 Oct 2022 16:01:28 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.8 Mike Spatolahttps://backup.cms.shavami.com/mike-spatola/ Sat, 20 Aug 2022 20:00:26 +0000 https://backup.cms.shavami.com/?p=3710

Mike Spatola is a makeup and FX artist with over 40 years of experience. Some of his work includes Terminator 2, Iron Man 3, and HBO’s Tales From The Crypt. He’s the author of the celebrated Monstrous Makeup Manual series of instructional books, as well as the textbooks for Cinema Makeup School, where Mike served as Chief Academic Officer for many years. He’s a a 2-time EMMY Award nominee for Outstanding Individual Achievement in Makeup, as well as multiple nominee for Best Makeup at the Cable ACE Awards.

 

Credit 1: Harbinger Down (Makeup Department Head) 2015

Credit 2: Iron Man 3 (Shop Supervisor/Lead Artist Makeup & Effects Labs) 2013

Credit 3: Stargate (Special Effects Makeup Department Head) 1994

Credit 4: And The Band Played On (Makeup Artist -Emmy Nominee) 1993

Credit 5: HBO’s Tales From The Crypt (Special Effects Makeup/Department Head- Emmy Nominee) 1991-92

Credit 6: Terminator 2 (Special Effects Artist- Paint Department Head Stan Winston Studio) 1991

Credit 7: Predator 2 (Special Effects Artist- Paint Department Head Stan Winston Studio) 1990

Credit 8: Return Of The Living Dead (Special Effects Makeup Artist) 1985

Mike’s Professional Website:

www.monstrousmakeupmanual.com

]]> Jake Corrickhttps://backup.cms.shavami.com/jake-corrick/ Sat, 20 Aug 2022 19:41:52 +0000 https://backup.cms.shavami.com/?p=3278

JAKE CORRICK is a professional sculptor, mold maker, fabricator, and painter, working for the last ten years in the film, tv, and live entertainment industries. After studying sculpture at Seton Hill University, earning a Bachelor of Fine Arts, he went straight into the entertainment industry. Working on projects with clients such as Disney, Riot Games, Zac Brown Band, and Travis Scott, Jake gained experience building and designing props, sculptures, and puppets of various scales and complexities. In addition to a background in practical effects,He has also worked extensively in the animation industry, building puppets and sets for stop-motion shows like Marvel’s M.O.D.O.K., Crossing Swords, and Robot Chicken. With a passion for creature and character design, Jake uses realistic sensibilities to bring even the most outlandish concepts to life.

Credit 1: Marvel’s M.O.D.O.K. (Series) 2021

Credit 2: Crossing Swords (Series) 2020

Credit 3: Riot Games (Game Production) 2019

Credit 4: Brigsby Bear  (Film) 2018

Credit 5: The Masked Singer (Series) 2020

Jake’s Professional Website:

www.instagram.com/jake_sculpts

]]> Work Creditshttps://backup.cms.shavami.com/dt_gallery/work-credits/ Tue, 05 Apr 2022 20:26:11 +0000 https://backup.cms.shavami.com/?post_type=dt_gallery&p=4159 Shannon Sheahttps://backup.cms.shavami.com/shannon-shea/ Sat, 11 Sep 2021 01:38:15 +0000 https://backup.cms.shavami.com/?p=3687

Shannon Shea, a native New Orleanian educated at The California Institute of the Arts has enjoyed a 36-year tenure designing, constructing, and performing animatronic creatures and characters for Motion Pictures and Television. He has had the pleasure of contributing to such diverse films as Predator, Dances With Wolves, Terminator 2, Jurassic Park, Spy Kids, The Chronicles of Narnia, Drag Me To Hell, Men in Black III, Netflix’s Lost In Space, Barb and Starr go to Vista Del Mar (2021) as well as the new Korean horror-drama Sweet Home (2020).

Not limited to the confines of Motion Pictures, he has served as an animatronics supervisor for Universal Studios and Disney Research & Development as a representative of Spectral Motion, Inc. He paints (having been shown in New York, North Carolina, and Los Angeles), and has written for Makeup Artist Magazine as well as having had a book published about the first formative years of his career entitled I’m Rubber, You’re Glue. He is a continuing teacher of the Stan Winston School of Character Design and taught for nearly 3 years at the prestigious Cinema Makeup School in Los Angeles where he was both the Prosthetics and Special Effects instructor. Shannon and his wife, Tracy (a talented soprano and writer), recently relocated to the Gulf Coast and are enjoying their new adventures.

Credit 1: Sweet Home (TV Series) (on-set creature effects supervisor) (2020)

Credit 2: Lost in Space (TV Series) (special effects supervisor) (2018)

Credit 3: Men in Black 3 (prosthetic makeup effects: key artist, Cinovation Studios) (2012) 

Credit 4: Casino Royale (puppeteer) (2006)

Credit 5: Spy Kids 2: Island of Lost Dreams (technician: Kurtzman, Nicotero & Berger EFX Group, Inc.) (2002)

Credit 6: Spy Kids (shop foreman: Kurtzman, Nicotero & Berger EFX Group, Inc.) (2001)

Credit 7: Jurassic Park (key artist: Stan Winston Studio) (1993)

Credit 8: Terminator 2: Judgment Day (art department coordinator: Stan Winston Studio) (1991)

Credit 9: Dances with Wolves (buffalo effects supervisor) (1990)

Credit 10: Predator (art department coordinator: creature effects unit) (1987)

Credit 11: Evil Dead II (special makeup effects unit crew) (1987)

Credit 12: Star Trek IV: The Voyage Home (creature crew: ILM) (1987)

Credit 13: Aliens (1986)

]]> Charles J. Weberhttps://backup.cms.shavami.com/charles-j-weber/ Sat, 11 Sep 2021 01:23:02 +0000 https://backup.cms.shavami.com/?p=3681

For the past 30 years, Charles J. Weber has been a successful senior executive in the Entertainment and Communications Industries. During this period Weber was the CEO of Lucasfilm Ltd., and COO of CanWest International Corp, Embassy Communications and Entertainment Company of America. He is also a member of The Academy of Motion Pictures Arts and Sciences and The Academy of Television Arts and Sciences. He has a Bachelor’s Degree in Business Administration from Manhattan College and a Master’s degree in Business Administration from Hofstra University.

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